In the British limited series The Baby, Lucy Gaymer and Sian Robins-Grace were able to take our ingrained anxieties and concerns and give them a supernatural undertone. They have discussed a variety of topics, including paedophilia, postpartum psychosis, and difficulties related to mental health, and have fascinatingly woven those topics into a story. The makers’ paranormal perspective has provided them a lot of room to play without being constrained in any way. The writers have successfully used the freedom they have at their disposal to craft a unique and engaging screenplay that successfully blends aspects of horror, gore humour, and a type of examination of people struggling with their own past.
What Did The Baby Symbolize?
Natasha was completely under the baby’s power. He was forcing her to commit horrific acts. He desired to be alone with Natasha. She barely even left the area after stocking up on all the necessities. Because she was aware of the horrific things the baby was capable of, Natasha was terrified. She brought him for a usual examination to Strode, a birth and postnatal facility. Natasha refused to let the doctor examine the infant, despite her desire to do so. The doctor took the infant in her arms because she believed Natasha was becoming very anxious. After assaulting the doctor, Natasha took the baby and left the hospital. When Natasha’s father arrived to greet her, a like incident occurred. He desired to spend time with his daughter and prepare meals together. She was frantic and in need of help badly, he saw, and he noted that. He brought the infant inside and placed him in his cradle, but as soon as he emerged, Natasha assaulted him since the infant had taken possession of her.
Mrs. Eaves, who was actually Helen’s lover Nour, had given up all hope. She used to sleep outside Natasha’s house, where she had parked her car. The only option left to her was to kill the infant, which Natasha wasn’t willing to do because she knew that the child now possessed Natasha, no matter how hard she fought to prevent it. Natasha believed that if she kept the kid to herself and provided him with the love he had always craved, he wouldn’t be as aggressive and wouldn’t harm others. Natasha erred, though. The child was incredibly compulsive and insisted on having your full attention. He objected to being touched or to Natasha suggesting she get rid of him.
Sam, Bobbi’s partner, and she likely had their final encounter. She arrived to deliver off Sam’s belongings after packing everything. Despite Bobbi’s desire, the social worker had denied her plea to adopt a child. She hadn’t seen Sam in a very long time because she was stranded in Jupiter House with Natasha. Sam refuses to acknowledge her issues, and instead of comforting a distraught Bobbi, she orders her to get on stage right once and do the audition for which they had been practising for a while. Sam was left in the middle of the performance after Bobbi entered the stage, caused a disturbance, and fled. Sam’s disapproval of Bobbi, a people-pleaser by nature, prompted some sort of internal rebellion. She made the decision to be wholly uncooperative since she was done trying to please everyone. Sam, though, had no desire to harm Bobbi. Sam was about to take the stage, and the outcome of the audition would determine her destiny. In actuality, Sam never expressed her worries, but she did feel ignored in the union. She believed that Sam’s struggles were never mentioned, and that everything was always about Bobbi’s issues, wants, and ambitions. Bobbi didn’t know where to begin because her life was a complete chaos. Sam explains to her that although Natasha may appear to be strong, Sam needed her sister more than ever at that particular time. Bobbi makes the choice to see her sister. When Mrs. Eaves is found sitting in her car, she approaches her and inquires about her whereabouts and the baby’s precise needs. Mrs. Eaves informed her that the infant was composed of extremely antiquated materials. Since the beginning of life on this planet, some patterns of human conduct have been present. Because of our constant want for love, many of our phobias have their roots in this need. Occasionally, the fear of being left behind engulfs us and turns us into something so ferocious that others begin to fear us. The infant had pledged in silent zeal to exact revenge on the injustice he had suffered and to give the world a taste of its own medicine after it didn’t receive any love from Helen. He resembled the tree that was planted in hatred and grew to despise the world so much that it made the decision to forbid anyone from finding comfort in its shade.
Ending Explained Was Natasha Able To Kill The Baby?
Mrs. Eaves had always believed that the baby was what he was because of her, but in truth, the environment had fostered his development into such a monster. When Bobbi enters Natasha’s home, she discovers that her father had already visited. She questioned Natasha about the same, but she made up the information. Bobbi spills a drink on the ground and makes a fake trip inside to grab a towel to mop it up. Knowing that Natasha had hidden her father somewhere in the home, she was determined to find him. She discovers him wounded and laying in the bedroom. The infant learns what Bobbi was attempting. Natasha begs Bobbi to flee for her life because she fears that he would force her to harm her sister. However, Bobbi is unable to get away. Mrs. Eaves, who had been dozing off in her automobile, becomes preoccupied by the chaos going on inside Natasha’s home. When she enters, she discovers Bobbi pinned within a cabinet. She goes into the room where the infant was after assisting Bobbi to exit the closet. She tries to put him to sleep, but Natasha steps in and stabs Mrs. Eaves after becoming possessed by the child once more. She brings the infant to the same cliff where it had previously fallen into her arms. She is followed by an injured Mrs. Eaves and a terrified Bobbi. She discovers Natasha and the child perched on a ledge. Bobbi tries to reassure her and assures her that she is aware that none of those horrific deeds were carried out by her. Natasha admits to Bobbi that she is unsure of the meaning of her life and wonders why she even exists. Contrary to what she believes, Bobbi explains, the infant cannot give her life meaning. Bobbi explains to her that sometimes in life, it’s the small acts of joy, kindness, and devotion that matter most rather than the overall result.
She implores her to release the infant and put an end to the situation. Just then, a hobbling Mrs. Eaves shows in and requests to hold the child as she bids the child farewell. Mrs. Eaves jumps down the cliff holding the baby before anyone has a chance to respond. In order to prevent Mrs. Eaves from drowning, Natasha leaps after her. They thought the nightmare was finally over. Rita and Mags receive an apology from Natasha, who also pledges to always be there for them. Natasha felt she had to assist her younger sister in escaping the chains of her past before Bobbi returns to performing magic tricks for the youngsters.
A young child emerged from the water while Natasha, Bobbi, and Mrs. Eaves were on the one hand anticipating the thrilling possibilities that life held for them. The nasty infant was still very much alive; it had not passed away. With Season 1 leaving us on a cliffhanger, it is still unknown how the wrath of the newborn could be put to an end. A person can still be dealt with, but how do you combat the ingrained, deep-seated feelings of the human soul? Probably Season 2 would explore it and give Natasha and others the much-needed answers.
See More: Episode 7: Recap And Ending, Explained Is Mrs. Eaves Able To Kill Jack?