Morbius appears to be a part of Sony’s Spider-Man Universe (SSMU), which is the universe where Andrew Garfield plays Spider-Man. The film’s six total delays have damaged the feeling of belonging in the piece. Throughout other words, there are several instances in the movie where it appears as though it is switching between realities. This, along with an invented antagonist and a boring Jared Leto, reduces the movie to little more than a successful attempt to bring back one of the most well-known Spider-Man antagonists of all time.
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Warning: Major Spoilers
The movie opens with Michael Morbius setting up a trap at the entrance to a cave in Cerro De La Muerta, Costa Rica. He wants to capture vampire bats that can help him find a cure for a blood condition that would normally be fatal to humans and is also killing him. Michael uses a knife to make a slit in his left hand, pointing it in the direction of the trap as if to entice whatever might be hiding there. Soon after, a horde of vampire bats that are attracted to the smell of blood fly out of the cave, and we lose sight of Michael amid them. The movie then flashes back 25 years. Greece is the setting for this scene, when little Michael Morbius and his best buddy Lucian, a.k.a. Milo, are shown receiving treatment at a children’s hospital under the supervision of Dr. Emil Nicholas. Michael and Milo both have the same blood condition, which renders them both so frail that they need assistance just to walk. Michael has a keen brain, so Dr. Nicholas thinks he should go to a specialised school to hone his skills.
Years later, Michael is given the Nobel Prize for creating artificial blood, but he rejects it since he views it as a pointless honour for a byproduct of an unsuccessful experiment (the artificial blood). He believes that by fusing his DNA with the vampire bats’ genes, his sickness will be cured. When his test on a mouse is successful, his hopes increase. He visits his childhood friend Milo, who funds his entire research project, to share the news of his most recent achievement. But things are not always as simple as they appear. When Michael uses the serum on himself, he does improve, but it costs him more. He cannot last very long without the bloodlust that it gives him. He is currently using artificial blood. But when that runs out, human blood is his only chance for survival. He ends up killing a lot of the men who were working on the serum on the ship with Martine Bancroft. Milo paid for everything, and the ship was in international seas. Milo therefore asks Michael for the serum when he encounters him after the incident and notices his friend is still standing. But Michael immediately refutes it.
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Martine and Michael both work at the hospital where she is admitted due to her ship-related injuries, which resulted in the death of another nurse. Because of the deaths of the men on the ship, he was already on the police’s radar. He makes several attempts to flee but ultimately is forced to turn himself in to the police. When Milo pays him a visit while he is imprisoned, he gives him a blood bag before departing. It’s interesting to see that he also leaves his cane inside the jail. Michael is then made aware that Milo too ingested the drug and has since resembled him. Milo had already let loose his craving for human blood, killing individuals and consuming their blood, when Michael breaks out of his cell and catches up to him. When asked who killed the nurse, Milo admits that it was him. The two then engage in a brawl, with Michael barely making it out alive. He locates Martine, who is now recovering, and asks her to get some supplies from their lab so they can begin developing an antidote. Michael, meantime, discovers himself in an underground laboratory that he takes over from some young men after instructing one of them on the number of bones in a human hand. On the other hand, Dr. Nicholas learns that Milo has once more gotten his hands—or rather, teeth—on three more men. He makes the choice to see Milo.
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Martine finds Milo waiting for her when she enters the lab to obtain supplies for Michael. She denies knowing Michael’s whereabouts when he inquires about it. After ordering Martine to relay a message to Michael that reads, “We are the few against the many,” Milo departs. When Nicholas visits Milo’s home, he makes an effort to stop him from causing all of this destruction. Milo, however, is enraged and thinks Nicholas is only speaking negatively about him because he finds him repulsive. Nicholas’s torso is cut by Milo, who then leaves him to perish. Nicholas phones Michael while he is on the verge of death and tells him everything that transpired. Michael has already prepared the antidote, which is more akin to a poison that would kill Milo. Michael runs to help Nicholas but it’s too late. He is furious. Nick passes away. Due to Milo’s echolocation, Michael can hear him command Martine, who is being held prisoner, to call for him. Michael departs for Milo while being overtaken by his vampire self.
Milo had already finished working on her when Michael gets there. Michael bites into her to relieve her of the pain since he can’t bear to see her in agony. Alternatively, it’s also possible that because Martine is already dead, Michael drank her blood to give himself the much-needed push he needed to defeat Milo. Milo and Michael then get into a struggle that lasts all the way down below ground and concludes with Michael firing a colony of bats at Milo and using it as a distraction to inject Milo with the poison. Dieth Milo. Martine, who was supposed to be dead, opens her blood-red eyes as the movie concludes as Michael flies off with his bats. Martine seems to have ingested some of Morbius’ blood when she kissed him, and Morbius bit her just enough to give her the vampire blood in her veins without killing her.
As Adrian Toomes enters a cell in the Manhattan Detention Center, the sky splits apart (signifying the multiverse). He will reportedly be released following a hearing. In the post-credits sequence, Toomes meets Michael while wearing a wingsuit and offers the two of them a partnership.
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A sickness affects Michael. Michael has a dependency. Of course, both of these are allegories for Michael’s vampire status. However, neither of them are explored in the movie Morbius. It has numerous chances to do so, but instead chooses to alter the subject and provide us with another action scene or something else. The problem Michael Morbius is facing—deaths brought on by his attempts to help people live longer, healthier lives—is obvious. But the movie doesn’t even attempt to depict this. But Morbius succeeds in establishing the fact that Michael Morbius is not a bad guy. Even as an anti-hero, he is not yet. He is a decent man who unwittingly turned into a vampire. Morbius’ attempt to conceal his vampire identity would have been better established if the movie had a more terrifying interpretation of him. Jared Leto was also capable of doing this.
Morbius is simply unsatisfying. The casting is the main cause of this, after all. Without a doubt, Jared Leto is a fantastic performer, but Sony didn’t think to make Michael look menacing. He may be a vampire, but it doesn’t make him dangerous. We all have in mind the character’s animated appearance from Spider-Man: The Animated Series in 1994. Morbius in that form was a huge, terrifying figure. Even though we were children at the time, don’t we still feel that sensation? Simply put, Jared Leto doesn’t work as a living vampire. With all of his extra muscle, he seems little. Because of the PG-13 rating, we can’t really blame Sony for the lack of horror in the Michael Morbius plot. Morbius is unable to fulfil its promises despite its bloodlust, pretended gloom, and vampirism.
What seems to be the most obvious error is what the antagonist is. In the movie, Lucien, a.k.a. Milo, Michael’s closest friend, turns against him. The comics don’t feature Lucien. The character is partially based on Loxias Crown and Emil Nikos, a buddy of Michael from the comics (aka Hunger, an enemy of Michael, also in the comics). Without a question, Matt Smith gave it his all, and that is obvious, but there is only so much one can do for a character who lacks a comedy arc. The arc of the protagonist is always furthered by a comic-driven opponent. Think about superheroes like Superman without Lex Luthor, Batman without the Joker, or Spider-Man without the Green Goblin. Do you? That is the key.
Martine Bancroft comes back to life at the conclusion of Morbius, displaying her blood-red eyes and demonstrating that she, too, has evolved into a vampire. When we encounter Michael again in SSMU, hopefully not too soon from now, or in the sequel, this will undoubtedly have something to do with it.
The entrance of Adrian Toomes from the MCU to this reality is seen in Morbius’ mid- and post-credits sequences. This is presumably because Doctor Strange’s spell at the conclusion of Spider-Man: No Way Home sent all the multiverse characters back to their respective universes. However, Toomes’ arrival seems illogical. Toomes belonged to the MCU, but Strange’s spell only applied to people from other universes. Once more, how did he obtain a vulture wingsuit in a brand-new universe? He didn’t deliver it with much clarity. Additionally, we witness Toomes suddenly approach Michael and propose working together to further the common good. Toomes believes that Spider-actions Man’s have caused him to end himself in a different universe. Although we are unsure exactly how Spider-Man, of all characters, is to blame for his transfer to a parallel reality, Toomes’ desire to work with Morbius does seem to indicate that he is determined to bring Spider-Man down (both him and Morbius being after all exclusive Spider-Man villains) Michael has no ill will against Spider-Man, and this is his first encounter with Toomes. As a result, joining forces with Toomes is currently illogical.